Monday, August 20, 2012

To Go and Paint Big Cities

I was all set to defend my liberal position, supporting President Obama for re-election, at the family reunion Amy roped me into going to yesterday—but then the discussion at our table never precisely turned to politics, and that was actually okay with me. I don’t pay enough attention anymore to hold my own very well in arguments with people who live and breathe this kind of thing. Once upon a time, I maybe could have done that; but not anymore. I’ll be glad to explain why I plan to vote for this or that person, but going back and forth with people who only want you to admit that they are right (even when they are not), is excruciating. I get enough of that shit at the old juke joint; I sure as hell don’t need to suffer it on my off time.

Used to be, when Amy would rope me into family things like that, I would just sit there quietly, and bite my tongue if something was said that rubbed me the wrong way. I never got out of that habit, even while I continued to self-identify as both conservative and Republican—which (to paraphrase George Carlin) I did, until I reached the age of reason. Yesterday, though, I didn’t even have to bite my tongue. The strongest thing said, vis à vis politics, was that Mitt Romney was “much better than Obama.” I disagree with that statement, but it’s not something that can be proven one way or the other—it’s just someone’s opinion.

Know when I did bite my tongue and should not have done? It was when I was asked about writing, and was I writing a novel? Well, yes, I am. Is it a horror story? Well, no, not so much. I know damn good and well what I am writing about, and largely how it’s all going to come together at the end—and yet I ran flat out into an epic fail when asked about it, even at this late date. WHY? Why can’t I just look a person in the eye and tell them that I am writing a novel in three parts about time (college), place (Irvington), and history (the Mafia)? Because I am ashamed of the fact that it took me this fucking long to figure out that I need to write about all three of those things, and that I can actually get them all into one novel?

When I started writing, which is going on twenty years ago now, I knew that I wanted to write about college, because that freshman year affected me deeply (fallin’ back on that ass, with a hellafied gangsta lean); Irvington was tangential for the first half of my life, but then in short order became both important to it and inextricable from it; and the Mafia...well...I mean, the Mafia doesn’t really exist, does it? Even if it does (wink wink, nudge nudge), my dad refuses to talk to me about it, so I’m just going to have to make that part up. (Yep, I got family issues on both sides, baby.) That part of this novel is what I plan to work on during this year’s National Novel Writing Month. I began the first part, the college part, during NaNo last year, and have been working with it since then, trying to get it right.

I’m not ashamed that it has taken me so long to get to this place. I’m a little bit disappointed, mostly with myself, but I’m not ashamed. What’s uncomfortable is trying to explain my work to people I don’t really know, people I have trained myself not to talk to. Habits are hard to break. I told myself yesterday before the family reunion that I would talk if someone asked—but that I wasn’t going to turn whatever I had to say in favor of one person into a backhanded attack on someone else. That’s what passes for restraint, I suppose; but no one asked. That might have been because I chose to leave my backpack, the one with the three Obama buttons pinned to it, in the car. Change takes time, and requires patience.

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